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The prevailing Eurocentric concept of beauty has varying results on completely different cultures. Classical philosophy and sculptures of men and women produced in accordance with the Greek philosophers' tenets of ideal human beauty were rediscovered in Renaissance Europe, leading to a re-adoption of what turned known as a "classical best". During the Gothic period, the classical aesthetical canon of magnificence was rejected as sinful. Later, Renaissance and Humanist thinkers rejected this view, and considered beauty to be the product of rational order and harmonious proportions. Renaissance artists and architects (such as Giorgio Vasari in his "Lives of Artists") criticised the Gothic interval as irrational and barbarian. Beauty for historical thinkers existed each in form, which is the fabric world as it is, and as embodied in the spirit, which is the world of psychological formations. Ancient Greek structure is predicated on this view of symmetry and pro...